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Just to Avoid Any Confusion She Says Shes Been Using Oh No Not Again Song

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2009 single by Ke$ha

"TiK ToK" redirects here. It is not to exist dislocated with TikTok, a social media application. For other songs titled "Tik Tok", encounter Tick tock (disambiguation).

2009 unmarried by Kesha

"TiK ToK"
TiKToK
Single by Kesha
from the anthology Animate being
Released August seven, 2009
Studio Conway Recording Studios, Los Angeles, California
Genre
  • Dance-popular
  • electropop
Length 3:20
Label RCA
Songwriter(s)
  • Kesha Sebert
  • Dr. Luke
  • Benny Blanco
Producer(s)
  • Dr. Luke
  • Benny Blanco
Kesha singles chronology
"Right Round"
(2009) 		"TiK ToK"
(2009) 		"Blah Blah Blah"
(2010)
Music video
"Tik Tok" on YouTube

"Tik Tok" (stylized as "TiK ToK" and pronounced as "tick tock") is the debut solo single by American vocalist Kesha. She co-wrote the song with its producers Dr. Luke and Benny Blanco. It was released on Baronial 7, 2009, every bit the lead single from Kesha'due south debut studio album, Animate being. The opening line of the vocal came from an feel where Kesha woke up surrounded by cute women, to which she imagined P. Diddy being in a similar scenario. The experience prompted the writing of the vocal which she later on brought to her producer, Dr. Luke, who was then contacted by P. Diddy in hopes of a collaboration; he came to the studio the same twenty-four hours and recorded his lines and the song was completed. According to Kesha, the vocal's lyrics are representative of her and based on her life; the vocal has a carefree message and talks nearly non letting anything bring you downward.

The vocal is an electropop/dance-pop vocal incorporating a minimalist bitpop beat interspersed with handclaps and synths. The vocal'south verses utilise a rap/sing vocal style while the chorus is sung; throughout the song the use of Auto-Melody is prominent. Musically, the song has been compared to the works of Lady Gaga, Uffie, and Fergie.

The song achieved commercial success by topping the charts in eleven countries. In the United States, the song broke the record for the biggest single-week sum of all time for a female artist selling 610,000 digital downloads in i calendar week. "Tik Tok" was certified 8× platinum past the Recording Industry Association of America (RIAA) and has sold 6.viii million copies in the United States. On the calendar week of January 2, 2010, the song topped the Billboard Hot 100, where information technology remained for 9 consecutive weeks, condign the longest running number one of 2010. It was likewise the all-time-selling single worldwide in that year, selling 12.8 million copies.[one] Every bit of 2019, the song has sold over 18 million copies worldwide,[two] thus making it one of the best-selling digital singles worldwide. The song was listed 61st on the Billboard Hot 100 Songs of All-fourth dimension.[3]

Background and evolution [edit]

In 2005, Dr. Luke had just finished producing tracks for Kelly Clarkson's anthology Breakaway (2004) and was looking to aggrandize further on his writing and producing credits. Luke solicited around to different people in the music business asking for demos from unknown artists. Two of the demos he received were from Katy Perry and Kesha. He was particularly taken with Kesha'southward demos which consisted of a self-penned land ballad and trip-hop track. The latter of the demos caught Luke off guard when she ran out of lyrics and started to rap, "I'm a white girl/From the 'Ville/Nashville, bowwow. Uhh. Uhhhhh." The improvisation made her stand out from other artists that Luke had listened to, which he recalled: "That's when I was like, 'OK, I like this girl's personality. When y'all're listening to 100 CDs, that kind of blowing and chutzpah stand out." Following this, at the age of eighteen, Kesha signed to Luke's label, Kemosabe Records, and his publishing company, Prescription Songs.[4]

After being signed to Luke's characterization she also signed to David Sonenberg'southward DAS management visitor. While at the label she worked with record producer Greg Wells, which she attributes to developing her sound on her first tape, Brute (2010). Although she was signed to Luke and his label, Kesha never took priority as he was busy with other projects at the fourth dimension. It was non until 2008 when Luke was working with Flo Rida on "Right Round" that he pulled Kesha in to contribute, giving her the female hook. Inside a few months, the vocal became a worldwide hit. The issue lead to different labels sparking involvement in signing her, including RCA Records, to which she somewhen signed.[4]

Writing and recording [edit]

"I tried to rewrite the verses of 'TiK ToK,' I was like, 'This doesn't brand sense. "Brushing your teeth with Jack Daniel's"-are people going to become what I'm talking about? Is this also much? Is it clever enough?' And he [Dr. Luke] literally had to fight me off, and and then Benny Blanco had to chase me out of the studio when I got a mind to rewrite it."

—Kesha on wanting to rewrite the rails due to fear of not making a connectedness with the audience.[5]

"Tik Tok" was written by Kesha, alongside Dr. Luke and Benny Blanco and was co-produced by Luke and Blanco.[six] Kesha said the inspiration behind the song came from coming home one-half-drunk and stumbling after a night out of partying. She would then write down a few words to a song, then the following morning she would wake upward with the story waiting to be told. The opening line came from an feel where she woke up surrounded by "beautiful women", leading to her imagining P. Diddy being in a similar scenario.[7] She then proceeded to bring the song to her producer Dr. Luke and Benny Blanco and the vocal was written. Four hours after, Diddy called Luke and said that they should do a vocal together. Diddy came to the studio afterwards that 24-hour interval to contribute his lines and the collaboration was completed.[8]

Applied science of the vocal was done by Emily Wright and Sam Holland at Conway Recording Studios in Los Angeles, California.[6] While Kesha was in the studio with Dr. Luke and Blanco, she took iii takes to become the song right every bit she jokingly "white-girl rapped" over the vanquish.[ix] At one betoken in the song's product, she had wanted to re-write the verses of the vocal considering she did not think that they were "funny or clever", feeling that they "kind of sucked."[10] She elaborated, "I idea it was just another song, I thought it was simply similar all the other ones I'd written. I didn't even know if it was very good. I wanted to rewrite the verses, I didn't think it was funny or clever. I thought information technology kind of sucked. But anybody else liked it."[10] Kesha ultimately did not end upwards rewriting any of the song'due south lyrics. She farther described the theme of the song in an interview, emphasizing that it embodied her own lifestyle,

We're [Kesha and her friends] all young and broke and it doesn't matter. We can find clothes on the side of the street and get out and look fantastic, and kill it. If nosotros don't have a car that doesn't terminate us, because we'll have the passenger vehicle. If we can't beget drinks, nosotros'll bring a bottle in our purse. It's merely about not letting annihilation bring you down.[11]

Composition [edit]

"Tik Tok" is an upbeat dance-pop and electropop vocal[9] [12] that incorporates the audio of '80s video game noises in its product, to earn a bitpop beat.[thirteen]

Kesha uses a spoken discussion rap style on the verses while the chorus is sung.[ix] [14] Throughout the vocal Kesha's vocals are heavily enhanced by Auto-Melody. The song also features two lines past P. Diddy ("Hey, what up girl?", which is said after he is mentioned in the lyrics, and "Let's get!")[8] [9] Lyrically, the song speaks about "backlog pleasures, from drinking ("Ain't got a care in the world just I got plenty of beer") to men ("We boot 'em to the curb unless they await similar Mick Jagger")."[12] According to Kesha the lyrics are representative of herself, stating, "It's almost my life. Information technology'due south 100 per centum me."[10]

Kesha uses a rap vocal delivery which was influenced by the Beastie Boys. She claims that the track's creation would not have happened if it was not for their influence on her music.[9] While the vocal was being crafted she took a different vocal approach to the song than in her before records, explaining, "I've done the country, washed the pop-rock, done the super-difficult electro, ... I was similar, whatsoever, throw some rap in there, why not?"[9] The song is in common time with a moderate beat rate of 120 beats per minute. The song is set up in the central of D minor.[xiv] It has the sequence of B ♭ –C–Dm as its chord progression and Kesha's vocals span from D3 to Dv, like to that of "California Gurls" past Katy Perry.[14] Musically, the song has been compared to Lady Gaga'south debut single, "Just Dance", for their similar composition and lyrical context and to Fergie for their like rap style.[nine] [15]

Release and promotion [edit]

In July 2009, the song was offered equally a free download on Kesha'south Myspace folio for over a month before its official sale release. The song was later released to iTunes on August 7, 2009, and on August 25, 2009, in the United States. Barry Weiss of RCA/Jive Label Group relied on a like marketing scheme to that of Britney Spears' in 1999 when choosing to give the song away for costless. The song'southward marketing relied heavily on radio once she had accomplished a strong online interest, but its radio release was delayed until October in order to capitalize on social media interest in her. The vocal quickly topped iTunes charts after.[sixteen] The song appeared in the film Diary of a Wimpy Kid: Rodrick Rules. It was also featured in the notorious "couch gag" for the television receiver show The Simpsons.

To promote the single, Kesha made several television appearances and performances across the world. The starting time televised performance of the song was on a function of MTV Push button, a plan circulate on MTV Networks worldwide, where she performed the song alongside her other tracks "Blah Blah Blah" and "Dinosaur".[17] [eighteen] She performed the song alongside "Apathetic Blah Blah", "Take It Off", "Your Love Is My Drug" and "Dirty Picture" in a gear up for BBC Radio 1's Big Weekend.[xix] On May 29, 2010, Kesha performed "Tik Tok" alongside "Your Dearest Is My Drug" at the MTV Video Music Awards Japan.[20]

Kesha has also fabricated appearances on It's On with Alexa Chung, The Wendy Williams Bear witness, Lopez Tonight, Tardily Night with Jimmy Fallon, The This night Prove with Conan O'Brien and The Ellen DeGeneres Show to perform the song.[21] [22] [23] This song was also performed on Saturday Night Live on April 17, 2010.[24] On August thirteen, 2010, Kesha performed "Tik Tok" on Today.[25] On November 7, 2010, Kesha performed the vocal at the MTV Europe Music Awards. Throughout the performance she was seen wearing a leotard with solar day-glow makeup. The functioning featured a backing consisting of flashing lights and groundwork dancers. The song'due south span was changed during the operation and featured a more "amping house music vibe".[26]

Critical reception [edit]

"Tik Tok" has commonly been compared to American singer Lady Gaga's (pictured) debut single, "Just Dance", for their similar subject matter.

Kelsey Paine of Billboard called the song "a beloved letter to DJs everywhere, with manus claps that build to a crescendo of pure, infectious trip the light fantastic-pop."[12] Paine, referring to her appearance on "Right Round", wrote that she "offers her own fun and frivolous ode to a wild nighttime out" as she sings well-nigh drinking and men. The review was concluded with the consensus the Kesha's debut "reveals a knack for getting the political party started."[12] Jim Farber of the New York Daily News called the vocal "a vintage lick of dance candy too tooth-rottingly sugariness to resist" that featured a "stabbing synthesizer claw".[27] Fraser McAlpine of the BBC, giving the single four out of a possible 5 stars, chosen it a "dirty little ditty" that had "'hitting' written all over information technology".[xv] McAlpine noted its similarities to Lady Gaga's "Just Dance" for their partying subject matter, but concedes that "she does make it sound kinda fun though."[15] Billy Johnson Jr. of Yahoo! compared "Tik Tok" to the 1980s L'Trimm striking "Cars That Become Boom" and notes that Kesha has "have[n] on L'Trimm'south song styling for her own hit."[28]

Nick Levine of Digital Spy gave the song iv out of five stars, he spoke of the song giving Kesha a "hussy epitome" merely described the lyrics in a positive style.[29] Levine said the use of car-tune was "fun" and described Dr. Luke's backing track as "bouncy" and "bubblegummy".[29] The review highlighted the song's chorus with Levine calling information technology "stonking great" and "completely trashy in the best possible way."[29] David Jeffries of Allmusic called the rails "fun", listing it as one of the album's best tracks.[30] David Renshaw of Drowned in Audio felt that the vocal was effective in what it was trying to do, writing: "Trashy and rambunctious, it'due south a brash summer anthem most getting drunkard and partying hard. Earth rocking it might not be, only as a slice of disposable pop it captures a moment and boasts a huge hook which, actually, is all you lot need to rule the radio, TV and ringtone airwaves."[31] Mikael Wood of Entertainment Weekly listed the vocal as the recommended download off of Fauna, writing that "her Valley Girl sneer with electro-glam arrangements that make brushing one's teeth 'with a bottle of Jack' sound like an awesome style to kill the morning time-after blues."[32]

Jonah Weiner of Slate Magazine gave the vocal a negative review proverb that "the song sets upwardly ship on the fault line betwixt charmingly daft and deeply irritating." He then compared the song to piece of work by other artists, stating that "the rapped verses are sub-Fergie-grade, proudly stuffed with groaners and to-hell-with-the-expiration-date slang." Weiner echoed the sentiment that the plotline seemed like "a sequel" to "Just Trip the light fantastic", summing information technology up equally "girl wakes up drunk, stays drunkard, finds a dance floor and (spoiler alarm) gets fifty-fifty drunker."[33] Jon Caramanica of The New York Times described the vocal as "a zippy and salacious celebration of late nights and mornings-after." He noted that "some have compared Kesha, unfavorably, to Uffie, who is signed to the influential French electronic music label Ed Banger and whose sass-rap predated Kesha's by a couple of years." However, he thought that "if anyone should feel fleeced by 'Tik Tok', though, it'southward Lady Gaga, who probably hears pregnant chunks of her hit 'Just Trip the light fantastic toe' in its melody and bailiwick matter."[ix]

Nautical chart performance [edit]

Us [edit]

Kesha rehearsing "Tik Tok" for the Much Music Video Awards on June xviii, 2010.

In the United States, on the calendar week ending October 24, 2009, "Tik Tok" debuted on the Billboard Hot 100 at number 70-9.[34] The song steadily climbed the chart and became the kickoff number ane of the 2010s decade.[35] It stayed at number ane for 9 sequent weeks. On the week ending Dec 27, 2009, "Tik Tok" broke the tape in the United States for the highest single week sales, selling 610,000 digital downloads, the highest ever by a female person artist since tracking began in 2003 and 2nd highest overall, behind her own spot, "Right Circular", past Flo Rida (feat. Kesha) which sold 636,000 copies on the chart dated February 28, 2009.[36] The tape would after be surpassed by Taylor Swift's single "We Are Never Ever Getting Back Together" when it sold 623,000 digital copies in its debut calendar week in the week ending September 1, 2012.[37] On the week ending February six, 2010, the song topped the Billboard Pop Songs radio airplay chart registering eleven,224 spins, condign, at the time, the well-nigh played vocal in the charts seventeen-year history, breaking the record set of 10,859 spins just a week earlier by Lady Gaga'southward "Bad Romance".[38] [39] The song topped the chart for a total of nine consecutive weeks and at the end of 2010, "Tik Tok" was named the Hot 100 vocal of the yr.[40] [41] It was besides the seventh nigh played song on radio in the state and the eighth about downloaded vocal that year.[42] The vocal has since received an 8× Platinum certification by the Recording Industry Association of America for sales of eight one thousand thousand units.[43] Every bit of March 2016, "Tik Tok" had sold over 6.eight million downloads in the US.[44]

The song made its first ever chart appearance in Canada, where the song debuted at number sixty-seven on the Canadian Hot 100.[45] It ascended the nautical chart for numerous weeks before attaining the number 1 position on the calendar week catastrophe November 21, 2009.[46] The vocal remained atop the nautical chart for ii weeks earlier falling to the number two position, being dethroned past Lady Gaga'south, "Bad Romance".[47] "Tik Tok" regained the number one position weeks later on Jan 2, 2010, and held the top spot for vii weeks, giving the single ix weeks atop the chart in total.[48] [49] [50] In 2009 the vocal was the year's seventy-sixth best charting song and information technology was 2010's 2nd all-time charting song on the Canadian Hot 100 Yr End Charts.[51] [52] The single has been certified vii× Platinum by the Canadian Recording Industry Association (CRIA) for sales of 560,000 units.[53]

Europe and Asia [edit]

In Europe, the song debuted at number 30-viii in Sweden on the issue dated October 23, 2009, and managed to summit at number three.[54] The song debuted at thirty-nine in Kingdom of denmark and peaked at number iii.[55] In Norway, the song debuted at number eleven and peaked at number three.[56] In the United Kingdom, "Tik Tok" debuted on the official United kingdom Singles Nautical chart at number six on Nov eight, 2009, and climbed to a top of number four on January 3, 2010.[57] In 2010, the UK Official Charts Company ranked "Tik Tok" at 100 on their list of the best-selling singles of the 21st century.[58]

By the finish of 2010, "Tik Tok" had go the best selling song by a strange artist at 1,412,660 downloads in Republic of korea.[59]

Oceania [edit]

"Tik Tok" fabricated its chart debut on the official New Zealand Singles Chart at number vii on the issue dated October 5, 2009.[60] The post-obit calendar week information technology moved up to number one where information technology held the pinnacle spot for a total of five sequent weeks.[threescore] The song has since been certified 2× Platinum by the Recording Industry Association of New Zealand (RIANZ) for sales of 30,000 units.[61] In Australia the vocal debuted on the ARIA Charts at number twenty-8, and reached number one on its third calendar week on the chart.[62] The vocal was listed atop the nautical chart for a total of viii weeks and in 2009 it was listed at position nine on the Australian Singles Twelvemonth End Chart.;[62] [63] the following twelvemonth the song was listed at position twelve on the 2010 year end chart.[64] It has since been certified 9× Platinum by the Australian Recording Industry Association (ARIA) for sales of 630,000 units. The song sold 12.8 million digital copies worldwide in 2010, making information technology the best selling single of the twelvemonth, trumping the previous year's song by more than three million downloads.[65] As of 2019, it has sold over 18 million copies worldwide.[66]

Music video [edit]

The music video for "Tik Tok" was directed past Syndrome.[67] It was shot in Kesha's former neighborhood and the car featured in the video belongs to her.[68] Kesha explained the feel saying, "the video I'm excited well-nigh because I actually got to shoot it in my erstwhile neighborhood and the guy driving my gilt car is a friend of mine".[68] The video's political party scene was shot in her friend'southward house, which they refer to every bit the "boozer tank". The singer said "the last political party scene is in this business firm chosen the drunk tank, which is one of my friend'due south houses that nosotros all go party at. Then I like it cause its super-honest and genuine."[68]

The video begins with Kesha waking in a bathtub in a abode as she stumbles out and begins to look for a toothbrush in the restroom. She makes her way down a staircase looking at the pictures lining the wall. Kesha makes her style to the kitchen and walks in on a family who are having breakfast, startling them. She shrugs and so leaves the home as the family unit gets up and follows her. When she arrives at the sidewalk, she picks upwards a gold wheel lying confronting a fallen fence and rides off. Kesha meets a group of children and trades the bicycle for their boombox. The video cuts to another scene where she rejects a guy and is picked up by a human being portrayed by Simon Male monarch[69] who drives her in a gold 1978 Trans Am. They are pulled over by the police, who handcuff Kesha. The scene and then pans to her singing while continuing in the T-height as she dangles the handcuffs hanging from her left arm. The adjacent scene shows Kesha in an empty room filled with glitter. She then attends a party with Rex for the terminal scene. The video comes to an end with Kesha lying in a different bathtub from the one she woke up in, while Castilian voices in Mexican emphasis are heard in a market place-like way, implying she concluded upward crossing the border.[67] The official music video has received over 550 meg views on YouTube as of February 2021.[70]

Cover versions and parodies [edit]

Heather Morris (left) and Avril Lavigne (correct) both performed covers of the song—Morris in an episode of Glee and Lavigne in a live rendition for BBC Radio.

The second-virtually-viewed YouTube video of the twelvemonth 2010, backside simply "The Bed Intruder Song", was a parody of "Tik Tok" posted by The Fundamental of Awesome.[71] "Weird Al" Yankovic included the chorus in his polka medley "Polka Face" from his 2011 anthology Alpocalypse.[72] The song was also parodied by British comedy group The Midnight Fauna. The parody discusses youthful subjects such as attempting to view the nude bodies of women and dodging parents' anger.[73] Released to iTunes on January 15, 2010,[74] the parody peaked at number four on the Australian Singles Chart, and at xxx-ix on the Irish Singles Nautical chart.[75] [76] Comedian Julie Brownish parodied the song with the single "Some other Drunk Chick" on her album Smell the Glamour (2011). Jarett Wiselman of The New York Mail stated information technology was "1 of the twelvemonth'southward best comedy albums."[77] Avril Lavigne performed an acoustic version of the song in her setlist for BBC's Radio 1.[78]

It's amazing ... I love information technology. ... Having Israeli soldiers dancing to 'Tik Tok' and landing the opening of 'The Simpsons' ... [they're] dreams. It's been a pretty proficient year.[79]

— Kesha commenting on The Simpsons and Israel Defense force Forces soldiers parodies

Another parody came about when State of israel Defense Forces soldiers created IDF Tik Tok in 2010, a viral dance video that opens with vi infantry soldiers on patrol in Hebron, walking cautiously down a deserted street, armed and wearing total combat gear,[lxxx] when "Tik Tok" begins to play, and the soldiers break into choreographed dance moves.[81] "Tik Tok" was used in the opening sequence for The Simpsons episode "To Surveil with Love", in which the entire cast lip-synced to the song.[79] [82]

The bandage of FOX musical series Glee performed this song on the episode "Blame It on the Booze", with Heather Morris' character, Brittany Pierce, taking the lead.[83] The episode revolved effectually teen drinking and its dangers. The members of Glee Gild are asked to perform at the school'due south alcohol awareness assembly, in which "Tik Tok" is one of the songs performed.[84] [85] Emily VanDerWerff of The A.V. Club wrote that the vocal'due south inclusion in the episode was superfluous, stating that information technology was just an excuse to get a Kesha song on Glee. VanDerWerff however, wrote that she "Actually liked Heather Morris'" rendition of the song.[84] Sandra Gonzalez of Entertainment Weekly praised Brittany's choreography and overall performance in "Tik Tok", writing, "The huge star of this number was conspicuously Brittany, who more than and more every week proves that she needs to be moved to the forefront of this bear witness's big performances and storylines."[86] Gonzalez gave the comprehend version of "Tik Tok" a B, calling information technology "pure, fun amusement up until we got to the function directly out of the mind of Gordie LaChance."[86] Erica Futterman of Rolling Stone gave the cover version of "Tik Tok" a mostly positive review, writing, "Love Brittany as we do, we wish Rachel or Mercedes stepped up to the mic. The performance is less risqué than their Pep Rally "Button It" merely winds upwardly causing more than controversy when Brittany pukes on Rachel and Santana also vomits up grey slush. It'due south a fitting cease to the song, and the episode."[87]

During the fifth flavor of the Masked Singer, Caitlyn Jenner sang the song disguised as "The Phoenix". Jenner's rendition went viral and Kesha eventually reacted to it on the coincidentally similarly named app TikTok.

Accolades [edit]

Runway listing [edit]

Credits and personnel [edit]

Recording
  • Recorded at Conway Recording Studios, Los Angeles, California
Personnel

Credits adapted from the liner notes of Animal, Dynamite Cop Music/Where Da Kasz at BMI.[half dozen]

Charts [edit]

Certifications and sales [edit]

Release history [edit]

References [edit]

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External links [edit]

  • "Tik Tok" music video at MTV.com
  • "Tik Tok" on YouTube

mendezpailly.blogspot.com

Source: https://en.wikipedia.org/wiki/Tik_Tok_%28song%29

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